So, those of you who see me sketching in the next few days might notice something different… No, I didn’t injure my wrist; I’m wearing a wrist brace to try out a new technique.
I borrowed David’s copy of Conceptual Drawing by Kevin Reeder, and it was a powerful resource. In the book, the author insists that there IS a correct way to hold a pen while sketching. You should grip the pen lightly between your thumb and forefinger, resting it on your middle finger. The wrist should be held straight and locked in place, and the drawing motion comes from the shoulder. Also, your hand should be kept off the page the entire time. I’m not going to say that it’s easy to even start drawing this way. I got the wrist brace so I’m less tempted to draw with my wrist, and I’ve been really focusing on using a lighter grip and keeping my hand off the page. At first, I was a lot worse. I spent a few days practing my lettering and drawing profiles, and now I’m starting to get used to it. I can definitely tell a difference in my control of line weight and overall line control. It’s an effort, but I think it might pay off.
There was a line in the book that really got to me…The author was talking about students who feel insecure in their drawing abilities saying, “don’t look at the drawing, look at the design!” I think that was my motto during sophomore year. He urges that this is impossible. You can’t ask your audience to look past your bad drawing skills. The entire point of a sketch is to visually communicate what you can’t verbally communicate. So, it just makes sense that you can’t try to verbally communicate what you’re supposed to visually communicate because, well, the whole idea is that it can’t be verbally communicated in the first place. I realize that’s a pretty convoluted explanation, but I hope you get the idea. I’m eager to see what kind of a difference I can make in my sketching. I’d say that’s the area where I have the most room for improvement…
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